Skip to main content

Ruminations, Musings, and Other Cud-Chewing

First, a note: This blog is moving away from the specifics of my PhD research and experiences.  If anyone was interested in those, well...sorry.  The work is progressing, and it's a delicate balance!  Best to keep it on the DL till it's finished.  :)

I do continue to have thoughts, however, about the nature of e-lit, e-publishing, digital narratives, tools.

Tools.  Nick Montfort (et al) just released Curveship, which integrates interactive fiction and interactive narrating.  Which is motto-speak for "it does cool stuff to allow linear storytelling or interactive nonlinear storytelling at the reader's preference".  I think.  I just downloaded it, and I probably won't have time to play intensely (and intently) with it for another week or two, but I've been excited about this for a while.

The blogs and mags and news-rags seem to be filling more and more with blurbs on the "new wave" of storytelling.  The New Yorker's Book Bench blog was all over Choose-Your-Own-Adventures apps this week, and though that's a baby-version of interactivity, it's still good to see the big cahunas of lit start looking in this direction.

A lot of it makes me feel like I'm actually behind the curve, studying for a PhD while others are out there doing.  But I keep reminding myself I enjoy the research and smarmy-smartiness of it all.

I'm looking forward to what people come up with, what I come up with.  I know my mom probably won't ever be into it, but maybe someday, someone will.  I can't wait to see what it's like when it's more than an artistic endeavor, building these things because we as creators love them; when people can go on a writing holiday and write an IF or Flash fiction as easily as they do a novel (tech- and skills-wise, anyway.  I make no judgments about talent.  Out loud.  To people's faces.  Much).  That's the barrier at the moment: true digital literacy.  Not just reading (because we're not there yet, either), but writing, creating digital interfaces.  I don't know that we'll get there without some sort of mass educational movement to really understand computers and software and how they're all put together.  Now, it's so split between programmers and creatives, that few of us (and I'm definitely more on the creator end of the spectrum) span both skillsets, or are interested in spanning them.

Someday, though, I have hope that e-lit (okay, IFs, because those are my babies right now) sits right up on that stage with novels and film and...uh, the stage.

Comments

Popular posts from this blog

Did Somebody Offer a Challenge?

Bruce Sterling over at Wired.com posted eighteen of them for Contemporary Literature. It's a skeletal overview: a list of statements without background or exploration of any. I'd like to offer a few brief thoughts on the list, just for my own brainstorming sake. Who knows; there may be eighteen papers in here somewhere. 1. Literature is language-based and national; contemporary society is globalizing and polyglot. "Contemporary society" is a pretty big blanket, there, Bruce. I think you might mean "contemporary digitally literate culture" - after all, it's only in the Westernized world that we are beginning to share our language and culture through global media such as Facebook and mobile phones. This also assumes a very strict definition of literature: that which is published in print form, presumably a book. 2. Vernacular means of everyday communication — cellphones, social networks, streaming video — are moving into areas where printed tex...

My Take on Specifications Grading (or, How I Learned to Not Spend My Weekends Marking)

I’ve been proselytizing this method for a while now, and have used it in a range of creative writing and publishing modules. It’s been wildly successful for me (though of course I’ll continue tweaking it), and enough people have asked about it that I thought I’d put it together into an overview/summary resource. It should probably be an actual paper one of these days, but that would require time and research and motivation. Natch. My teaching model is based on Linda Nilson’s Specifications Grading  (she’s also got a great intro article on Inside Higher Ed ), just so the original genius can get plenty of credit. My motivations are these: I came a hair’s breadth from burning out entirely. I went from teaching creative writing classes with 7-10 students on them to massive creative writing modules with 80+ students on them. Marking loads were insane, despite the fact that I have a pretty streamlined process with rubrics and QuickMarks and commonly used comments that I can cut and ...

In which the Apathy Monster is curtailed

Me, lately I spent my PhD years going to many, many  conferences. When you're in a small department in an isolated part of the world, they're kind of a necessity. You go to meet anyone - anyone  - who is doing similar stuff, and who won't stare at you blankly when you describe your research. You go to try out your ideas, to make sure the academic community you'll be pitching them to don't think you're an absolute waste of space ( imposter syndrome is for real). Also, you go just to go somewhere (though I think I went to Leicester far too often). In the last few years, as I've gained contacts and confidence, I've gone to fewer and fewer conferences. I know the ones that best suit me now, and where I'll get to meet and/or catch up with my peeps. I also know the ones, of course, where I've never made any headway at all. I was pleasantly surprised this week to be wrong about that last one. MIX Digital - Bath Spa University Let me back thi...