Skip to main content

Retreating to Write

One week. Seven glorious days. The equivalent, for me, of a snow-in. I got s**t done, people.

My husband signed up to attend a conference in Erice, Sicily for a week in the end of May. I said, "Sicily? When teaching is done and my conferences haven't started yet? Put me in your luggage, dude."

So I hitched on to his conference, and spent a week in a mountaintop stone city that was once home to the Cult of Venus. The sun was shining brutally, which means my sorry white bum was restricted indoors on threat of dire illness.

Oh, darn. Trapped in a monastery-turned-hotel with my computer, my current project, and not enough touristy stuff to fill a morning, much less seven days.

Sweet.

I outlined. I storyboarded. I edited images and animated and chose fonts and decided what parts of my print story my digital reader would get. I discovered the initial stages of creating digital fiction: that even with a heavily edited and revised short story, the creation of its digital version takes you back to the trial and error and aimless wandering in the woods that is rough-drafting.

It's been a really long time since I was this new to any part of the creation process; when I sit down to write a story, I have a pretty ingrained process at this point. But adapting it to digital opens up all new things, not the least of which is learning software platforms (compounded by my paucity of funds which means I have to use freeware). I spend hours creating a certain effect in a screenshot or transition, only to sleep on it and find that in the morning, my brain wants to do something altogether different.

It's difficult, and more time-consuming than I thought it would be, but I'm glad I set myself the task to complete a prototype for my PhD before buckling down to do the real thing. I can enter into the process with my eyes open at least a little bit wider.

I'm home now, and haven't even been able to look at the file for all the conference-organization matters cropping up for the showdown next week. I miss Erice, it's lack of cell phone service, and spotty wireless, like it was another limb. I achieved hermitude there, a lifelong ambition that I hope to attain again. Ciao, baby.

Comments

Popular posts from this blog

Did Somebody Offer a Challenge?

Bruce Sterling over at Wired.com posted eighteen of them for Contemporary Literature. It's a skeletal overview: a list of statements without background or exploration of any. I'd like to offer a few brief thoughts on the list, just for my own brainstorming sake. Who knows; there may be eighteen papers in here somewhere. 1. Literature is language-based and national; contemporary society is globalizing and polyglot. "Contemporary society" is a pretty big blanket, there, Bruce. I think you might mean "contemporary digitally literate culture" - after all, it's only in the Westernized world that we are beginning to share our language and culture through global media such as Facebook and mobile phones. This also assumes a very strict definition of literature: that which is published in print form, presumably a book. 2. Vernacular means of everyday communication — cellphones, social networks, streaming video — are moving into areas where printed tex...

My Take on Specifications Grading (or, How I Learned to Not Spend My Weekends Marking)

I’ve been proselytizing this method for a while now, and have used it in a range of creative writing and publishing modules. It’s been wildly successful for me (though of course I’ll continue tweaking it), and enough people have asked about it that I thought I’d put it together into an overview/summary resource. It should probably be an actual paper one of these days, but that would require time and research and motivation. Natch. My teaching model is based on Linda Nilson’s Specifications Grading  (she’s also got a great intro article on Inside Higher Ed ), just so the original genius can get plenty of credit. My motivations are these: I came a hair’s breadth from burning out entirely. I went from teaching creative writing classes with 7-10 students on them to massive creative writing modules with 80+ students on them. Marking loads were insane, despite the fact that I have a pretty streamlined process with rubrics and QuickMarks and commonly used comments that I can cut and ...

In which the Apathy Monster is curtailed

Me, lately I spent my PhD years going to many, many  conferences. When you're in a small department in an isolated part of the world, they're kind of a necessity. You go to meet anyone - anyone  - who is doing similar stuff, and who won't stare at you blankly when you describe your research. You go to try out your ideas, to make sure the academic community you'll be pitching them to don't think you're an absolute waste of space ( imposter syndrome is for real). Also, you go just to go somewhere (though I think I went to Leicester far too often). In the last few years, as I've gained contacts and confidence, I've gone to fewer and fewer conferences. I know the ones that best suit me now, and where I'll get to meet and/or catch up with my peeps. I also know the ones, of course, where I've never made any headway at all. I was pleasantly surprised this week to be wrong about that last one. MIX Digital - Bath Spa University Let me back thi...